More importantly, White Lies dropped a new album in January and I listened through it this week. I should mention now that this was the first album I've listened to since their debut (Farewell to the Fairground, 2009) so my initial reaction of 'this is less depressing' might be a bit out of date. Still, it's nice not to hear about kidnappings and urban decay.
Despite more upbeat lyrics, I was impressed to see they've held onto the theatrical sound 10 years later. However, if you weren't a fan of the first album I'm not sure you'll be a fan of this. It is also quite telling that three songs from the album were released as singles last year and the only one I recognised was Believe It. To be honest, I'd completely forgotten about it until it came on right at the end of the album.
Tokyo - the latest single - feels like it got a lot of attention from producer Ed Buller (Buller produced two of White Lies' previous albums as well as albums by Suede and The Courteeners). With a massive synthy chorus, Tokyo is by far the most radio (and late night pub) friendly song on the album.
That said, it is also lyrically weak 'Cos you know / Every city has a Chinatown' and 'Call Tokyo / Call New York / It's the same but different' are not what I'd called inspired. But it's catchy and everyone in the bar can sing along to the chorus so who cares... Right...?
After Tokyo, the band pivots back to more familiar territory with Jo?, the song that reminded me the most of their original sound - it even has lyrics about being lonely!
Overall, I think it's a solid album, there aren't many stand out songs, but I think they will grow on you if you listen to it a few times.
Rating: 7 / 10
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